Contemporary Christian Music and Homosexuality
June 3, 2014 (David Cloud, Fundamental Baptist Information Service, P.O. Box 610368, Port Huron, MI 48061, 866-295-4143, email@example.com)
In The Gospel Sound, which first appeared in 1971, Anthony Heilbut said, “The gospel church has long been a refuge for gays and lesbians, some of whom grew up to be among the greatest singers and musicians.”
Douglas Harrison, a homosexual who grew up Southern Baptist, said, “... you can’t swing a Dove Award without hitting upon evidence of the longstanding, deep-set presence of queer experience in, and its influence on, Christian music culture at all levels” (“Come Out from among Them,” Religion Dispatches, April 30, 2010).
In 1998, CCM star Kirk Franklin said that “homosexuality ... is a problem today in gospel music--a MAJOR CONCERN--and everybody knows it” (Church Boy, pp. 49, 50).
James Cleveland, who has been called the “King of Gospel,” was a homosexual who died of AIDS.
Marsha Stevens, author of the popular song “For Those Tears I Died (Come to the Water),” co-founded Children of the Day, one of the first Contemporary Christian Music groups associated with Calvary Chapel. In 1979, Marsha broke her sacred marriage vows and divorced her husband of seven years, with whom she had two children, because she had “fallen in love with a woman.” Eventually Marsha “married” Cindi Stevens-Pino who she calls “my wife.” She started her own label called BALM (Born Again Lesbian Music) and performs between 150 and 200 concerts a year. She has a program called “upBeat” through which she produces a praise and worship album annually with a variety of singers and songwriters.